88floors:

A Beckett Tower - Elenberg Fraser

Cool!

(via plurdledgabbleblotchits)

areaofinterest:

Michael Chase, Cut No. 1, 2012

areaofinterest:

Michael Chase, Cut No. 1, 2012

(via zeroing)

doomandgloomfromthetomb:

James Brown - T.A.M.I. Show, Santa Monica Civic Center, 1964

Then he sings “Please Please Please,” and experiences what at first seems to be a full-scale breakdown, his body and spirit overtaken by a shadow. He falls to his knees, and the Flames, his considerate handlers, drape a cape over him and escort Brown to the side of the stage. They are distressed for his well-being, and though in retrospect a cape is a weird way to express your concern, at the moment it seems like the only possible thing to do. - RJ Smith, The One 

He is not trying to put something over. He is not there fooling around, not for a minute. He just wakes them up — no end; and when he goes, they cannot forget him. It does not have a story. It has no message. He promises himself. “I promise you the best of me,” and then he gives it. He leaves them with the impression: “I belong to you.” - Buster Brown 

He is a mythological personage. What he asks for is love — boundless — which can never quite fill his craving. At the end of all that inspiration, talent, sorcery … A man touched by divine power. He absorbs. He stuns. - Mura Dehn

The T.A.M.I. Show was the highest energy thing has ever been. I danced so hard my manager cried. - James Brown

Where to begin with how truly amazing this is? I think I’ll hold off on the usual, and totally deserved, hyperbole about this performance, and note a few smaller contributing factors: how great the drums sound, how the Famous Flames’ dancing is gloriously not-quite-in-unison, the crowd shots, this dance, how James must be one of the greatest R&B singers ever on vocals alone, man I could go on, who couldn’t.


Blue and Gray, 1962
Mark Rothko

This whole Rothko series is weirdly hit-and-miss for me—always like the concept, don’t always like his exact color and proportion choices. Don’t know enough about art to explain the difference. This is one of the good ones.

Blue and Gray, 1962

Mark Rothko

This whole Rothko series is weirdly hit-and-miss for me—always like the concept, don’t always like his exact color and proportion choices. Don’t know enough about art to explain the difference. This is one of the good ones.

(via thunderboltpagoda)

quincampoix:

romansushi:

By Ilia Chashnik

Ilya Chashnik, Poster design, c. 1925

quincampoix:

romansushi:

By Ilia Chashnik

Ilya Chashnik, Poster design, c. 1925

If I’m not mistaken, that’s Willful Neglect from St. Paul, Minnesota!

If I’m not mistaken, that’s Willful Neglect from St. Paul, Minnesota!

(via oldpunkflyers)

junkwhale:

Kanye’s Twitter is such a marvelous source of joy in my life.

“What do I have to do to get a simple persian rug with cherub imagery” confirms my belief that it is rewarding to imagine Kanye’s tweets being written by Ray Smuckles.

junkwhale:

Kanye’s Twitter is such a marvelous source of joy in my life.

“What do I have to do to get a simple persian rug with cherub imagery” confirms my belief that it is rewarding to imagine Kanye’s tweets being written by Ray Smuckles.

quincampoix:

Jean Arp, Collage, 1918

quincampoix:

Jean Arp, Collage, 1918

(via jealouspunkt)

Be a little more adorable why don’t you.

Be a little more adorable why don’t you.

onminimalism:

Simplicity by Simon Page

onminimalism:

Simplicity by Simon Page

(via zeroing)